Jaren Hinckley

Composer / Clarinetist

Symphony #3

I’m Listening to Everything Composed by Camille Saint-Saëns

March 3, 2019

(1835-1921)

Well, lets start with his name…Camille. (It can be tricky to phonetically spell things out, especially in other languages, so bear with me here…) It’s pronounced “Ca” (as in “cat”), “mee,” “yuh” but the “yuh” is sort of an afterthought: Ca-mee-yuh. In addition, in France, the name Camille could be used for either male or female.

We were fortunate enough to be able to spend some time in Paris recently, so while we were there I was able to snap some selfies with some of the places he lived during his life. This first picture is the building in which he was born, 3 Rue du Jardinet. I was somewhat surprised that there wasn’t a plaque noting that fact.

20181115_161956 Saint-Saens was born here 3 Rue du Jardinet

Next pic is his 1st apartment (4th floor) once he began his career as a musician. Somehow I doubt this is the same building as when he lived at this address…

20181126_102654 Saint-Saens 1st apt 4th floor in his career 168 Rue du Faubourg Saint Honore

And the next TWO photos shows where he lived from 1877 to 1889, 14 Rue Monsieur le Prince–note the plaque.20181115_162600 Saint-Saens lived here from 1877 to 1889 14 Rue Monsieur le Prince

20181115_162539 Saint-Saens lived here from 1877 to 1889 14 Rue Monsieur le Prince (more…)

I’m Listening to Everything Composed by Henryk Górecki

July 7, 2013

 

TITLE: Symphony #3 “Symphony of Sorrowful Songs”

 

DESCRIPTION OF THE PIECE:

This piece was composed in 1976 and was criticized at the time for being too tonal, mainly because the composer, Henryk Górecki, had become known for atonal music. The first time I hear of this piece was in 1992, when a new recording came out and shot up the classical music charts. According to Wikipedia, this is the best-selling classical album of a modern composition of all time. This piece is generally categorized as “spiritual minimalism”—music that puts one in a meditative “spiritual” state through the use of slow repetition (think Arvo Pärt).

 

1st Movement: Lento—Sostenuto tranquillo ma cantabile (Slow—sustained and tranquil in a singing manner).  This is a very lengthy first movement. Because different conductors conduct at different tempi, recording lengths vary. Of the recordings I listened to, the shortest one was 27 minutes long and the longest was 40 minutes long.  That’s quite a span!  The movement begins with a very lengthy canon (basically, a round) featuring only the strings.  The first statement of the melody is by the double bass; with each new repetition more strings are added.  The slow build is quite effective in setting up the mood of the text, which is not heard until the middle section of this movement, sung by a solo soprano. The text is from the 15th century and is meant to be the voice of Mary, mother of Jesus, speaking to her son on the cross.  The translation of the text is:

 

My son, chosen and loved,

Let your mother share your wounds

And since, my dear son,

I have always kept you in my heart,

And loyally served you,

Speak to your mother, make her happy,

Though, my cherished hope, you are now leaving me.

 

You don’t need to read the words while you listen to the piece. Just read through them once and you’ll have the gist of it. Even though the movement is slow and repetitive, I beg of you to take the time to listen to it without any other distractions. This will move you.

My favorite recording I’ve found so far is on YouTube:   http://www.youtube.com/watch?v=SV2P35Rj61A

This particular recording isn’t the prettiest to look at, but the tempo is just perfect!  I will warn you that it is one of the slower recordings of this movement that I’ve heard, but I feel like it is much more meaningful at the slower tempo.  It allows you to get into that meditative state and when the soprano starts singing…well…tears…

 

2nd movement: Lento e largo—Tranquillissimo

The text for this movement was found etched into the wall of a Gestapo prison by an 18-year-old female prisoner.  Górecki said that he was touched by her words of comfort and prayer. Other prisoners had etched words of accusation or hatred toward their Nazi captors, but she just wanted to comfort her mother and gain strength from Mary.  The translation of this text is:

 

No, Mother, do not weep,

Most chaste Queen of Heaven

Help me always.

Hail Mary.

 

I found a marvelously-produced video of this movement on YouTube:  http://www.youtube.com/watch?v=miLV0o4AhE4

It is beautiful to listen to and beautiful to watch.  In fact, my five-year-old daughter, whenever she’s heard me start the music of the second movement, she comes running because she wants to watch the video.  And, despite its length, she sits and watches the whole thing.  This is the shortest movement, but also extremely beautiful, and for me, at least, tears occur.

 

3rd movement: Lento—Cantabile-semplice

 

Text for this movement is a poem about a mother wondering what has become of her son, who was fighting in the Silesian Uprisings (1919-1921 between Poland and Germany).

 

Where has he gone,

My dearest son?

Killed by the harsh enemy, perhaps,

In the rebellion.

You bad people,

In the name of the Holy God,

Tell me why you killed

My dear son.

 

Will I have his protection,

Even if I weep

My old eyes away,

Or if my bitter tears

Were to make another River Oder,

They would not bring back

My son to life.

 

He lies in the grave

I know not where

Though I ask people

Everywhere

Perhaps the poor boy

Lies in a rough trench

Instead of lying, as he might,

In a warm bed.

 

Sing for him,

Little song-birds of God,

For his mother

Cannot find him.

And God’s little flowers,

May you bloom all around

So that my son

May sleep happily.

 

For this one, I’d suggest this YouTube video:  http://www.youtube.com/watch?v=v_pn_cVqGJQ

It is the complete symphony, but the third movement starts at 37:50.  The older gentleman the camera keeps focusing on is the composer.  I believe this was filmed in 2001 and Górecki passed away in 2010.  I find the soprano leans sharp, but it is beautifully filmed in a beautiful venue.

 

HIGHLIGHT:  For me, it is when the first movement transitions from the opening section (the lengthy canon) to the middle section with the soprano. After hearing nothing but strings for fourteen to twenty minutes (depending on which recording you listen to), the single note played by the piano and harp is haunting and lovely, and then the soprano starts to sing those touching words of Mary, and I begin to cry.  I really hope you will all take the time to listen to this marvelous work.  It will change you as a human being.

 

WHAT’S LEFT TO LISTEN TO BY GÓRECKI?: At least 80 opus numbers, plus a fair amount of unpublished works.  I’ll definitely be seeking out more pieces by Górecki in the future.